"The most potent weapon in the
hands of the oppressor is the mind of the oppressed." Like all of Steve
Biko's writings, those words testify to the passion, courage, and keen
insight that made him one of the most powerful figures in South Africa's
struggle against apartheid. They also reflect his conviction that black
people in South Africa could not be liberated until they united to
break their chains of servitude, a key tenet of the Black Consciousness
movement that he helped found.
I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.
I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.
“[Biko’s] movement fundamentally reordered the objectives of the populist struggles against white oppression in South Africa, which during the 1950s and early 1960s had been largely limited to the formal political realm. . . . I Write What I Like is still relevant today because it confronts a central paradox facing contemporary South African society: that of endorsing cultural differences while embracing a cohesive national culture. . . . [Biko] was able to see the complexities and searing paradoxes confronting South Africa, and he had the fortitude and intellect to construct a formidable response. . . . I Write What I Like stands as a prescient discussion of the dilemmas cause by racial and class exploitation. So it is likely to remain as one of the most important collections of political essays in the history of South Africa, if not the continent.”—Brendan D. Works, Journal of Modern African Studies
Click here to download this book in pdf and click here to read Lewis Gordon's new introduction to this book.