Litheko Modisane, Africa is a Country
A grossly detestable subjection of one human being by another, slavery was a
structural guarantor of white control of blacks in the Americas. It was to
whites in that part of the world and other parts of the world including the
Cape Colony in South Africa, what colonial subjugation and apartheid would
later be to whites in the rest of Africa. There is no longer slavery in the
Americas. However, white supremacy is still around, not only in the United
States but also in many recently colonized societies. On what structural ropes
then does white supremacy hang today? Even then, does it still need an
institutional apparatus of dominance for its continuity?
Slavery, like apartheid, was constituted through
certain relations between the white master and the enslaved black. What struck
me about 12 Years a Slave is its visual explication of how these relations are
established, enforced and sustained throughout the period of the protagonist’s
illegal bondage.
Solomon Northup is first captured and then
forced to accept his slavery by the slave breaker, that ignoble character whose
job it is to minister violence upon the resistant black body the intention
being to break its spirit, to instill the identity of the slave in the captured
man or woman’s psyche. On the pain of being thoroughly thrashed, the captured
man or woman is forced to accept a slave name. The more he or she resists, the
more the whip eats into his or her skin. But even without resisting, the
possibility of more extreme violence always hangs over the slave’s body and
psyche.
In one of the film’s early scenes, Solomon is
‘given’ a new name. He tries to resist but is thrashed with a paddle. When he
says his ‘new name’ while being ravaged, Solomon speaks his slave identity into
being. The new name is meant to initiate the captured slave into a violent and
dishonorable existence. The paddle and the uttered words are meant to establish
the master’s conquering of the slave’s body and mind.
This has parallels with petty apartheid in this
other south of Africa, when black people were coerced to reply to the name
‘Jim’, ‘John’, ‘Miriam’, ‘Mary’ and so on; names that were meant to kill their
spirits and dismember the memory of their identities. On being renamed, the
slave’s being is denied — he or she becomes what Hortense Spillers refers to as
“being for the captor”.
The relations of slavery are discernible in the
rites of naming, the desire for total control and white slavers’ suppression of
fear of the black through violence. All of these factors show that slavery was
very much a means to maintain a paranoid white supremacy that inadvertently
admits the humanity of blacks by perpetually displaying the desire for
suppressing it. That naming, as a rite of passage into slavery, was also used
in the colonial and apartheid systems shows that slavery is one institution or
system among others that have underwritten white supremacy in our age.
In spite of being forcibly called Platt, Solomon
does not wholly absorb this subjection. He walks about proudly and even his
bodily posture shows it and attracts suspicion from his captors. Such pride
shows that he does not completely accept his non-status as a slave. Split between
conditional acceptance of his subjection (when he believes one of his slavers
is a man of conscience because he is not harsh on his slaves) and utter
rejection of it (when he sees himself, and not all other ‘niggers’ as unworthy
of slavery), his consciousness is not at rest about his identity.
Indeed Solomon’s education and standing in the
North give him a slight advantage over his fellow untutored slaves in the
South. He is able to accomplish skilled work for his masters, work that no
ordinary slave could do.
Even so, it is unfortunate that in the film, the
victimized blacks are generally victims and very seldom drivers of their own
agency. When one of them, a man called Robert, speaks of resistance aboard a
boat, his ideas are targeted at the ‘better slaves’ who were ‘free men’ before
their calamity. He speaks with disdain about the other slaves who were born and
bred on the plantation, observing that they did not know how to resist and
refers to them as ‘niggers.’ This introduces the discourse of intra-black class
divisions and attitudes, where some blacks define themselves against others
that might not be so fortunate with accessing education and property. The
problem of intra-black hatred is itself an offshoot of white supremacy that
made of Africans, inferior ‘niggers’ who could only achieve humanity with the
attainment of an elusive whiteness. It appears then that white supremacy does
not entirely rely on institutionalized systems for its continuance; it also
needs ‘free’ blacks to banish the rest of the black world into a state of
unfreeness.
