Showing posts with label Adam Shatz. Show all posts
Showing posts with label Adam Shatz. Show all posts

Saturday, 20 April 2013

‘A Little Feu de Joie’

by Adam Shatz, London Review of Books
  • Days of God: The Revolution in Iran and Its Consequences by James Buchan
    John Murray, 482 pp, £25.00, November 2012, ISBN 978 1 84854 066 8

At the end of the Second World War, an anonymous pamphlet surfaced in the seminaries of Qom, the bastion of Shia learning. The Unveiling of Secrets accused Iran’s monarchy of treason: ‘In your European hats, you strolled the boulevards, ogling the naked girls, and thought yourselves fine fellows, unaware that foreigners were carting off the country’s patrimony and resources.’ Iran, it proposed, should be ruled by an assembly of religious jurists headed by a wise man. In such a state, there would be no need for elections or a parliament, or even a standing army: a religious militia (basij) would ensure obedience to the law.

Wednesday, 10 April 2013

Black, not Noir

Adam Shatz, London Review of Books

'That Smell’ and ‘Notes from Prison’ by Sonallah Ibrahim, translated by Robyn Creswell
New Directions, 110 pp, £11.99, March, ISBN 978 0 8112 2036 1

When we first meet the nameless narrator of Sonallah Ibrahim’s 1966 novella That Smell, he’s just been released from prison, but no one is there to greet him, and he’s in no mood to celebrate. He remains under house arrest, free to wander the streets of Cairo so long as he returns home by dusk, when his police minder has to sign off on his curfew. Things could be worse: he could be back in prison, where he remembers being beaten, ‘shaking with cold and fear’. But when he looks for ‘some feeling that was out of the ordinary, some joy or delight or excitement’, he draws a blank. On the night of his release, the police throw him into a filthy holding pen because he has nowhere to stay:

There were a lot of men there and the door kept opening to let more in. I felt something in my knee. I put my hand down and sensed something wet. I looked at my hand and found a big patch of blood on my fingers and in the next moment saw swarms of bugs on my clothing and I stood up and noticed for the first time big patches of blood smeared on the walls of the cell and one of the men laughed and said to me: Come here.

Saturday, 17 November 2012

Not in the Mood

Adam Shatz, London Review of Books

Derrida: A Biography by Benoît Peeters, translated by Andrew Brown
Polity, 629 pp, £25.00, November, ISBN 978 0 7456 5615 1

‘Anyone reading these notes without knowing me,’ Jacques Derrida wrote in his diary in 1976, ‘without having read and understood everything of what I’ve written elsewhere, would remain blind and deaf to them, while he would finally feel that he was understanding easily.’ If you think you can understand me by reading my diaries, he might have been warning future biographers, think again. Derrida worried that the diaries might one day be privileged over his philosophical writing or, worse, used as a way of ‘finally’ steering through the obstacles he had consciously placed between himself and his readers.