Assia Djebar, Frantz Fanon, women, veils, and land.

by Ria Faulkner, World Literature Today, 1996

Frantz Fanon uses the image of the unveiling of Algeria in A Dying Colonialism in drawing a connection between the land, the nation, women, and their bodies. Assia Djebar twists that image in her story "Femmes d'Alger dans leur appartement" and in the "Postface" to the collection of the same name. Djebar uses the space of the city of Algiers rather than that of the whole nation. Twenty years after Fanon's polemic, Djebar examines the place of women in Algeria under the patriarchal nationalists, finding women's bodies and minds imprisoned by physical walls and mental veils. In a different kind of war, through her discourse, she seeks to contribute to the liberation of Algerian women, their gaze, and the voices which emanate from their material bodies.