Showing posts with label Efemia Chela. Show all posts
Showing posts with label Efemia Chela. Show all posts

Sunday, 3 August 2014

Words exchanged on short-story writing

As spotty-faced, arrogant students, Nick Mulgrew and Efemia Chela used to present radio shows at Rhodes University. Five years later, they’re arrogant, award-winning short-story writers. Mail & Guardian

Ghana-born Chela (22) was one of the youngest nominees ever for the Caine prize for African writing and Durbanite Mulgrew (24) is this year’s winner of the National Arts Festival’s Short.Sharp.Stories award, the richest prize in South African short-story writing. He asked her about her rise and about the future of local writing – and where it should be going.

Wednesday, 28 November 2012

Fanon, black female sexuality and representations of black beauty in popular culture

by Efemia Chela, 2012

Frantz Fanon’s works are all very personal. Black Skins, White Masks, a treatise on the lived experience of being black is based on his experiences in Martinican society, being a student and then a black doctor in France. A Dying Colonialism is the Algerian War through the prism of his work with the FLN and The Wretched of The Earth arises from his experiences visiting post-colonial African countries, interacting with future African leaders and observing colonial and native elites. Even though Fanon was a man his oeuvre have great relevance to women and this piece will focus on the representation of black women in Fanon’s works and how his observations can be used to analyse contemporary depictions of black beauty in popular culture and hip-hop. This essay will also address the dimensions of black female sexuality and the similarities between sexism and racism.