Showing posts with label hip-hop. Show all posts
Showing posts with label hip-hop. Show all posts

Monday, 3 November 2014

The reality of the conditions for farmworkers in South Africa

Benjamin Fogel, Africa is a Country

It seems that no music video in the history of South African music, has attracted as much controversy as the Cape Town hip hop collective Dookoom’s “Larney Jou Poes,” which loosely translates into English as “Boss, you’re a cunt”. In the two weeks since its release, it has attracted over 50,000 views and inspired innumerable op-eds, mainly in response to the accusation made by the opportunistic far right-wing Afrikaner lobby group Afriforum, that the video was racist hate speech. The video shows Dookom frontman and OG Cape Flats rapper Isaac Mutant leading a group of angry farmworkers on a tractor, and culminates in the word “Dookoom” being burnt into the hill of a farm.

Friday, 15 March 2013

Why I no longer tell my brother to wear his pants properly

By Siphokazi Magadla, Thought Leader

Saggy pants is a popular form of displaying rebellion to teenage respectability by young men who wear their trousers far down their waists, often times generously exposing their underwear. Saggy pants are mostly associated with black male masculinity, which has been highlighted by the imagery often associated with mainstream hip-hop culture. Of course today this phenomenon is no longer the privilege of young black lads as many white boys in my classrooms and elsewhere subscribe to the ”sagging” pants phenomenon. Yet, nevertheless, sagging pants are historically linked to black male adolescence. Like many black sisters and mothers I had been particularly averse to my two brothers engaging in these displays as I unconsciously saw them as yet another easy way black men attract negative attention (read racism and police brutality) to themselves. I have however shifted in this view.

Wednesday, 28 November 2012

Fanon, black female sexuality and representations of black beauty in popular culture

by Efemia Chela, 2012

Frantz Fanon’s works are all very personal. Black Skins, White Masks, a treatise on the lived experience of being black is based on his experiences in Martinican society, being a student and then a black doctor in France. A Dying Colonialism is the Algerian War through the prism of his work with the FLN and The Wretched of The Earth arises from his experiences visiting post-colonial African countries, interacting with future African leaders and observing colonial and native elites. Even though Fanon was a man his oeuvre have great relevance to women and this piece will focus on the representation of black women in Fanon’s works and how his observations can be used to analyse contemporary depictions of black beauty in popular culture and hip-hop. This essay will also address the dimensions of black female sexuality and the similarities between sexism and racism.