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The fundamental characteristic of a guerrilla band is mobility. This permits it in a few minutes to move far from a specific theatre and in a few hours far even from the region, if that becomes necessary; permits it constantly to change front and avoid any type of encirclement. As the circumstances of the war require, the guerrilla band can dedicate itself exclusively to fleeing from an encirclement which is the enemy's only way of forcing the band into a decisive fight that could be unfavorable; it can also change the battle into a counter- encirclement (small bands of men are presumably surrounded by the enemy when suddenly the enemy is surrounded by stronger contingents; or men located in a safe place serve as a lure, leading to the encirclement and annihilation of the entire troops and supply of an attacking force).
Characteristic of this war of mobility is the so-called minuet, named from the analogy with the dance: the guerrilla bands encircle an enemy position, an advancing column, for example; they encircle it completely from the four points of the compass, with five or six men in each place, far enough away to avoid being encircled themselves; the fight is started at any one of the points, and the army moves toward it; the guerrilla band then retreats, always maintaining visual contact, and initiates its attack from another point. The army will repeat its action and the guerrilla band, the same. Thus, successively, it is possible to keep an enemy column immobilized, forcing it to expend large quantities of ammunition and weakening the morale of its troops without incurring great dangers.
