The 1870s in France – Rimbaud’s
moment, and the subject of this book – is a decade virtually ignored in
most standard histories in France. Yet it was the moment of two
significant spatial events: France’s expansion on a global scale, and,
in the spring of 1871, the brief existence on the Paris Commune – the
construction of the revolutionary urban space.
Arguing that space, as a
social fact, is always political and strategic, Kristin Ross has written
a book that is at once a history and geography of the Commune’s
anarchist culture – its political language and social relations, its
values, strategies, and stances.
Central to her analysis of the Commune as a social space and
oppositional culture is a close textual reading of Arthur Rimabaud’s
poetry. His poems – a common thread running through the book – are one
set of documents among many in Ross’s recreation of the Communard
experience. Rimbaud, Paul Lafargue, and the social geographer Élisée
Reclus serve as emblematic figures moving within and on the periphery of
the Commune; in their resistance to the logic and economy of the
capitalist conception of work, in their challenge to work itself as a
term of identity, all three posed a threat to the existing order. Ross
looks at these and other emancipatory notions as aspects of Communard
life, each with an analogous strategy in Rimbaud’s poetry. Applying
contemporary theory, to a wealth of little-known archival material, she
has written a fresh, persuasive, and original book
Chapter 2 of this book, 'The Right to Laziness', is online here.