reviewed by Fezokuhle Mthonti
Alice
Cherki’s Frantz Fanon: A Portrait is
a rich biographical account of the events that shaped Fanon’s trajectory as a
key psychological and political thinker in Post-Colonial and Critical Humanist
thought. The book is a nuanced account of how Fanon himself was a
“yes that vibrated to cosmic harmonies. Uprooted, pursued, baffled, doomed to
watch the dissolution of truths that he had worked out for himself.” (1986:2)
It is an attempt to humanise the thinker that we have come to know as Fanon through a truly Fanonian praxis of
recognition, a kind of strategic historicism, and an attempt to reconcile a
particular subjectivity with the universal.