In 1963 James Baldwin prefaced and ended The Fire Next Time, two essays on race
in America, with a lyric from a song composed by Africans enslaved in America:
‘God gave Noah the rainbow
sign, no more water but fire next time!’
In the Christian reading of Genesis God
‘set the rainbow in the cloud’ as a sign of a divine covenant that the elect,
chosen to survive the flood that had cleansed the world of human evil, would
never again have to confront the rising waters. But those who turned from the
path of righteousness would, in a moment of final reckoning, perish in fire.
Showing posts with label James Baldwin. Show all posts
Showing posts with label James Baldwin. Show all posts
Friday, 4 March 2016
Friday, 17 October 2014
Thursday, 12 December 2013
Monday, 8 July 2013
Wednesday, 12 December 2012
An Open Letter to My Sister, Miss Angela Davis
November 19, 1970
Dear Sister:
One might have hoped that, by this hour, the very sight of chains
on black flesh, or the very sight of chains, would be so intolerable a sight
for the American people, and so unbearable a memory, that they would themselves
spontaneously rise up and strike off the manacles. But, no, they appear to
glory in their chains; now, more than ever, they appear to measure their safety
in chains and corpses. And so, Newsweek, civilized defender of the
indefensible, attempts to drown you in a sea of crocodile tears (“it remained
to be seen what sort of personal liberation she had achieved”) and puts you on
its cover, chained.
You look exceedingly alone—as alone, say, as the Jewish
housewife in the boxcar headed for Dachau, or as any one of our ancestors,
chained together in the name of Jesus, headed for a Christian land.
Sunday, 8 July 2012
Tuesday, 26 June 2012
“Inventory on Being” – James Baldwin
A spoken word and jazz collaboration from “A Lovers Question” – David Linx
Tuesday, 29 May 2012
The Global Imagination of James Baldwin
Rich Blint interviewed by Sean Jacobs, Africa is a Country
In February this year a first-rate group of scholars gathered in New York City to debate the legacy of the twentieth century American writer and critic, James Baldwin (1924-1987). I missed the proceedings, titled “James Baldwin’s Global Imagination,” so I asked one of organizers, Rich Blint, about the conference’s aims, Baldwin’s ideas and politics of Baldwin as well as what he would have made of Barack Obama’s “post-racism.”
In February this year a first-rate group of scholars gathered in New York City to debate the legacy of the twentieth century American writer and critic, James Baldwin (1924-1987). I missed the proceedings, titled “James Baldwin’s Global Imagination,” so I asked one of organizers, Rich Blint, about the conference’s aims, Baldwin’s ideas and politics of Baldwin as well as what he would have made of Barack Obama’s “post-racism.”
Wednesday, 11 January 2012
James Cone’s Gospel of the Penniless, Jobless, Marginalized and Despised
by Chris Hedges, TruthDig
“The Cross and the Lynching Tree are separated by nearly two thousand years,” James Cone writes in his new book, “The Cross and the Lynching Tree.” “One is the universal symbol of the Christian faith; the other is the quintessential symbol of black oppression in America. Though both are symbols of death, one represents a message of hope and salvation, while the other signifies the negation of that message by white supremacy. Despite the obvious similarities between Jesus’ death on the cross and the death of thousands of black men and women strung up to die on a lamppost or tree, relatively few people, apart from the black poets, novelists, and other reality-seeing artists, have explored the symbolic connections. Yet, I believe this is the challenge we must face. What is at stake is the credibility and the promise of the Christian gospel and the hope that we may heal the wounds of racial violence that continue to divide our churches and our society.”
“The Cross and the Lynching Tree are separated by nearly two thousand years,” James Cone writes in his new book, “The Cross and the Lynching Tree.” “One is the universal symbol of the Christian faith; the other is the quintessential symbol of black oppression in America. Though both are symbols of death, one represents a message of hope and salvation, while the other signifies the negation of that message by white supremacy. Despite the obvious similarities between Jesus’ death on the cross and the death of thousands of black men and women strung up to die on a lamppost or tree, relatively few people, apart from the black poets, novelists, and other reality-seeing artists, have explored the symbolic connections. Yet, I believe this is the challenge we must face. What is at stake is the credibility and the promise of the Christian gospel and the hope that we may heal the wounds of racial violence that continue to divide our churches and our society.”
Tuesday, 15 November 2011
Monday, 15 August 2011
Sunday, 7 August 2011
Tuesday, 26 July 2011
Friday, 8 July 2011
The Fire Next Time
It's shocking how little has changed between the races in this country
since 1963, when James Baldwin published this coolly impassioned plea
to "end the racial nightmare." The Fire Next Time--even the title is beautiful, resonant, and incendiary. "Do I really want
to be integrated into a burning house?" Baldwin demands, flicking
aside the central race issue of his day and calling instead for full
and shared acceptance of the fact that America is and always has been a
multiracial society. Without this acceptance, he argues, the nation
dooms itself to "sterility and decay" and to eventual destruction at
the hands of the oppressed: "The Negroes of this country may never be
able to rise to power, but they are very well placed indeed to
precipitate chaos and ring down the curtain on the American dream."
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